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Table of contents
- On Fairy-Stories
- Victorian sources of fairy tales. with an introduction by Robert A. Gilbert - Details - Trove
- 12. The Folktale Tradition in Germany
- Fairy Tales Their Origin and Meaning
He did not live to experience the united Germany he had worked so hard for. A second edition of the work appeared in The publisher was G. The Fairy Book went through eleven editions up to , so that story gained wide circulation. This prints new translations of the tales that were already known, but extends the range of material to a total of seventeen tales.
This includes the stories edited by Madame de Chatelain and about as much again. Of the remaining eleven tales half a dozen are fairytales in the narrower sense and do not overlap with those of the Grimms. Most deal with figures that have been bewitched and can only be released from their enchantment by the successful completion of a series of difficult tasks. Very frequently they involve encounters with supernatural beings and attempt to explain the acquisition or loss of wealth. They will only revert to human shape if a woman the same age as the mother comes along with seven sons for them to marry.
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Some of the legends demonstrate that these dangers are not always overcome. Books of legends of the Rhine were designed for the tourist trade and published in Germany in English from the s onwards, and travel books often included outlines of legends in connexion with the places they described. A few of the most popular legends are in fact included in the small number of travel books about the Rhineland that were written for children by British authors.
This was the story of Bishop Hatto of Mainz, whose cruelty towards his people was punished by his being pursued to a tower on an island in the Rhine and eaten by mice. The author of Travels with Minna and Godfrey in many Lands. Another version was included by George G. It was first published later that year in the collection of booklets known as Bells and Pomegranates and was reprinted in and Browning further follows Verstegen in describing how one lame boy could not keep up with the rest and so was not swallowed up in the hill to which the piper led them.
Again, like Verstegen, he mentions the tradition that connects the German community in Transylvania with Hamelin, suggesting some inexplicable subterranean route between them. The piper is a compelling figure, attractive to children, but suspicious to those in authority. Another illustrated version of Browning with pictures by T.
Butler-Stoney was published by Ernest Nister in This is set in the fifteenth century and follows Browning for the first act, but diverges in the second act to provide a restoration of the children to their parents.
Presumably the transposition of the story to the stage and the context of popular entertainment required a happy ending. George, c. Kokerill is captured in the shape of a bird and strangled, and the children make their way back home, arriving there after the winter, a year after their disappearance. Gilbert and Tobias are reconciled and become friends, and Nieritz ends his story with the moral that Kokerill represents vice, which all children ought to shun.
It is interesting to note the changes to the original legend that both Nieritz and Robert Buchanan found necessary to make it palatable to nineteenth-century children and their parents. It has illustrations credited to T. The main item among the Norg myths is a retelling of the medieval German poem whose title she gives as The Rose-Garden of King Lareyn Laurin , in which Lareyn, the last of the Norgs, having abducted Simild, the daughter of duke Biterolf, is attacked by her brother, Dietlieb, Theodoric and Wittich in his magic rose-garden.
Lareyn has a cloak of darkness that makes him invisible and a girdle that gives him the strength of twelve men, but Theodoric manages to defeat him. After several further exploits Lareyn is defeated and made court fool by Theodoric in his palace at Verona. The Tirolean tales are thus clearly part of the well-known stock of European, specifically German, folktales, but have their own character from the mountains and remote valleys in which the stories are located. However, the temper of the majority of tales in this collection is dark and brooding, focussing on family disputes and crimes of passion leading to the destruction of all involved.
Three centre in various ways on entanglements with the Devil.
Victorian sources of fairy tales. with an introduction by Robert A. Gilbert - Details - Trove
An angel gives her a talisman to protect him. When the boy grows up and is about to become a priest, he meets a Doctor Horn the Devil who tries to dissuade him. But he also meets the fairy Luna, his guardian angel, who helps him in his trials and temptations. But while the collection as a whole dwells on the darker side of life, there are occasional lighter touches. On his sad way home he meets a little man who gives him food and goodies, and when he reaches home he finds they have turned into gold and silver.
Documentation of his quirky activities goes back to printed sources of the sixteenth and seventeenth century. He appears in a variety of human disguises, tormenting the strong and those in authority and leading them on wild goose chases, while helping the poor and those in distress. However, the largest collection of tales in English was made by Mary C. This concludes with a short verse play, presumably designed for children to act. This was Alfred C.
The Harz was already well known for its legends and literary connexions. The area was thus by no means neglected as far as British readers were concerned. Fryer gives no indication of the sources for his twenty-one items, which range from simple anecdotes to quite complex stories. Another two tales recount legends of Princess Ilse, who gives her name to the River Ilse and the Ilsenstein, a rugged peak nearby.
12. The Folktale Tradition in Germany
Several of the legends that he recounts attempt to explain features of the landscape by reference to sinister or romantic events, or they cloak ancient ruins with strange occurrences or characteristics to render them significant. Germany led the way in the systematic collection of local and historical legends, and in the publications that we have looked at we have a fine selection of this material.
It is significant that none of the German scholarly collections were translated in toto into English during the nineteenth century. What was presented was excerpts, often just a few tales, whether the target readership was adults or children.
All of these reflect the increasing interest in German books and culture in the period following the Franco-Prussian War. However, only a few individual tales gained sufficient popularity to be reprinted or retold. None of the big collections enjoyed the reprints that were so common with fairytales.
Legends tend to circulate in less defined, less stable forms than fairytales and works with a known author, so it is not surprising that it took the skill of a leading poet to create an enduring form for the legend of the ratcatcher and the children of Hamelin.
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Fairy Tales Their Origin and Meaning
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